Where Words Become Worlds: A Poem

There is a place in gaming the world has forgotten.
A quiet place.
A sacred place.
A place where the flicker of imagination burns brighter than any neon sky rendered by machines.

It is the birthplace of wonder.
The cradle of quests.
The first spark that ever dared to whisper, “What if?”

And in that place
where pixels did not yet exist,
where worlds rose from simple lines of text,
where adventure lived not in spectacle but in soul
the art of gaming was born.

Today, I return there.

Every morning, as the light stirs the dust on my keyboard, I continue the pilgrimage.
One more room.
One more passage.
One more beating piece of the Labyrinth of Time’s Edge added to the infinite mosaic.

I do this because text adventures are not games.

They are prayers.
They are stories unfolding in real time.
They are the testament of creators who believed imagination could never be replaced, only awakened.

And with every new day I breathe into this world,
I am reminded:

Art does not fade.
Art waits.

It waits in the forgotten corners of old directories.
It waits in the soft glow of a monochrome monitor.
It waits in the hands of those who refuse to let silence win.

As long as I can write,
as long as I can dream,
as long as time allows me to shape another hallway in the dark,
I will continue expanding this living labyrinth
until the end of time or the end of my time.

Whichever arrives first.

Because gaming once grew from words
and words still have the power to summon worlds
that no engine could ever replicate.

And somewhere out there
a player still hungers for that first spark
that pure, unfiltered magic
that only a text adventure can give.

I write for them.
I write for the art.
I write because this craft deserves breath,
and I have lungs full of the past
and a heart full of the future.

This is not nostalgia.
This is resurrection.

And every room I finish
is another heartbeat
for a form of gaming
that will never truly die
as long as someone, somewhere,
still believes in worlds made of words.

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